Acknowledgement We acknowledge the Traditional Custodians of the Country on which we gather, the Yuggera and Turrbal peoples of Magandjin/Meanjin, and their continuing connection to land, waters, and skies.
We pay our respects to their Elders past and present, and to all First Nations Peoples, whose cultural knowledge remains in their own custodianship. Sovereignty never ceded.
Mitchelton Library
Truth-Telling

The Mitchelton Charter for Local Truth-Telling

A Standing Declaration
Historical Context The Myth Where We Sit What We Do What You Gain Our Commitments Get Involved What To Do Next Coming to a Session

Queensland closed its Truth-telling and Healing Inquiry in November 2024. Local truth-telling continues at Mitchelton Library, filling part of the void that closure left. These are the terms on which we do it.

Cultural Advice and Content Warning
Aboriginal and Torres Strait Islander visitors are advised that these pages describe frontier violence, removals from Country and family, and deaths in custody, and that they contain images and names of people who have died. 13YARN, the national First Nations crisis support line, answers on 13 92 76, day and night.

"That was a long time ago"

People say it kindly, and they say it often: the frontier, the missions, the removals, all of it happened long ago, so why gather on a Sunday afternoon to hear about it still?

Oodgeroo Noonuccal answered that question in her poem, The Past.

Let no one say the past is dead. The past is all about us and within. Haunted by tribal memories, I know This little now, this accidental present Is not the all of me, whose long making Is so much of the past.

Oodgeroo Noonuccal, the opening lines of The Past, from My People (Jacaranda Press, 1970), published under the name Kath Walker. She reclaimed her Minjerribah language name in 1988, in protest at the Bicentenary: Oodgeroo means ‘paperbark tree’, and Noonuccal is her people of Minjerribah.

The cover of My People: Kath Walker seated on a rock beside still water, her reflection below. The title page of My People, reading: My People, A Kath Walker Collection, The Jacaranda Press.
Linda Harnett’s copy of My People, the Jacaranda Press collection in which The Past appeared in 1970, eighteen years before Oodgeroo Noonuccal reclaimed her language name. The cover photograph shows a person who has died.
Kath Walker, and Oodgeroo Noonuccal Click to open: why she changed her name, and when

She was born Kathleen Jean Mary Ruska at Bulimba in 1920, and grew up at One Mile on Minjerribah, North Stradbroke Island, on Noonuccal Country. Publishing as Kath Walker, her married name, she became in 1964 the first Aboriginal Australian to publish a book of verse. The Crown appointed her MBE in 1970 for services to the community, an honour she accepted in the belief that it would draw attention to Aboriginal causes.

She returned the MBE in protest at the approaching Bicentenary, asking what, from an Aboriginal point of view, there was to celebrate. In 1988 she took her Minjerribah language name: Oodgeroo, meaning ‘paperbark tree’, the bark her people used for drawing, of the Noonuccal people of Minjerribah. Her sons took language names in the same period. She died in 1993.

Because The Past appeared in 1970, the book pictured above names her as Kath Walker. Her original language name is the one to use now.

The National Archives of Australia tells her story, with photographs, on its page about Oodgeroo Noonuccal, the poet and activist once known as Kath Walker.

The past has not gone anywhere. It surrounds us, it lives within us, and this present moment holds the long making of everything that came before it.

Colonial decisions sit embedded in the institutions of Australian government and culture, because those institutions came into being to reflect and hold colonial power, and the patterns persist.

Since the Royal Commission into Aboriginal Deaths in Custody reported in 1991, the rate at which governments and government-supported facilities imprison First Nations adults and children has risen rather than fallen, and institutionalised bias operates at the critical decision points along that path.

The past also lives inside the stories Australians tell about themselves. The bushman and the ANZAC stand at the centre of the national self-image, and they are settler Australia's stories. First Nations stories of the same country and the same decades sit outside the frame, and truth-telling moves them back inside it.

The myth of peaceful settlement

The story of peaceful settlement is a myth. It denies First Peoples' ownership of this land. It denies the orchestrated violence that dispossessed them. It denies the attempted erasure of Aboriginal and Torres Strait Islander cultures: removal from Country, the criminalising of language and ceremony, and the taking of children into settlements such as Cherbourg.

Much of this required concealment. The murders went unrecorded, the repression went unnamed, and the dispossessed were blamed and shamed for the very impoverishment that dispossession produced, so that the settler society could take the lands, benefit, and grow wealthy on that land, and tell itself it was peacefully settled.

Australians inherited the cover-up along with the benefit. Naming that plainly is where repair begins.

Where this Mitchelton gathering sits

The Path to Treaty Act 2023 set out three stages for Queensland.

On 28 November 2024 the Queensland Parliament passed the repeal of the Act. The Inquiry and the Institute ceased. A formal record that would have gathered thousands of Queensland stories now stops at the submissions already lodged.

Yet Stage One never depended on the legislation: communities can research, record, and share their own histories whatever a parliament decides.

On the first Sunday of every month at Mitchelton Library,
we do exactly that.

What we do

From communities across Magandjin/Meanjin (Brisbane) we gather to listen, to learn, and to bear witness to the true history of this country, and to the world's oldest living culture, continuous for more than 65,000 years.

Each month an Aboriginal Elder and Cultural Custodian, historian, academic, community leader, or activist leads the session. They bring lived experience, cultural knowledge, and historical research.

Admission is free and everyone is welcome.

What you gain by coming

Our standing commitments

1. First Nations people set the terms.

Speakers decide what they tell, how they tell it, and what stays off the record. Self-determination governs the program.

2. We tell the good as well as the hard.

This history holds survival, leadership, knowledges, artistry, scholarship, and humour. A program of grief alone would misrepresent the people whose history we tell.

3. We work at the pace of trust.

Truth-telling takes years. Relationships built slowly and kept carefully outlast any single event.

4. We hold the room safely.

Each session opens with a plain content note, nobody faces pressure to disclose anything, anyone may leave at any moment, and support contacts remain visible for the whole session.

5. We record only with consent.

The speaker decides what we keep, what we publish, and what we don’t publish.

6. We keep the focus local.

Primarily the stories are Queensland based, with many around Brisbane and surrounding areas. Named places, named events, and named people where possible.

7. We stay open to all.

No fee, no membership, no prerequisite, and no questions.

Get involved

The series runs on community. You can help in these ways:


To offer any of these, send us a message through the contact page, or talk to Rosalie or Linda before or after the sessions.

What you can do next

To support First Nations justice, you may choose one of these actions:

This week
This month
This year

Coming to a session

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This Charter builds on the community presentation materials of Queensland's
Interim Truth and Treaty Body (ITTB)

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